This theoretical study deals with the conjencture of community media and participative culture in the context of media production. It also showcases the importance of culture per se and its place within community media. ŠKRIPCOVÁ, L.: Participative culture in community media. In European Journal of Media,
Being formerly a film student at film high school, I have always wanted to tell the stories. I was studying how to use the film language and pictures, and discovering different visual forms. If you want to tell the story by a film, you need
The main protagonist of slovak photography, Judita Csáderová, is a highly subjective author, working mainly with the imaginative and surrealistic visual language, interpreted via her very own timeless, abstract lines. Torsos and imprints of female body, surrealistic links to irrationality and to her desire to
Anton Sládek, another significant slovak photographer, who is also known for his classic black and white work, portrays theatrical actors and captures spontaneous backstage of the theater performance. The similarity of Anton Sládek´s artwork to photograps of Diane Arbus is not only visual, but also
As far as I can remember, I guess I have always been taking pictures. My brother put his camera into my hands at his wedding and told me to take some pictures. They knew I enjoyed that. I was 12 then. And I felt important.
The situation in the publishing of literature in Slovakia in the 1980s was, in retrospect, to a large extent determined and perhaps even determinedly constituted by the social and political backgrounds of the period which also formed the writer themselves – the same author of
On the sandy banks of the river Tisa and on the SlovakianHungarian-Ukraine border, known for its orchards and the legendary plum brandy, a small and inconspicuous village of Malé Trakany in Zemlín county became on 29 April 1888 the birthplace of Béla Petrik (Adalbert in
Narodil sa 21.5.1829 v Dubnici nad Váhom v chudobnej slovenskej rodine. Za fotografa sa vyučil u viedenského fotografa Andreasa Grolla. Po vyučení sa z Viedne vrátil do Bratislavy, kde si neskôr i za pomoci svojich priateľov a mecénov otvoril svoj prvý fotografický ateliér, pravdepodobne v roku
Szilvia is a photographer, curator, teacher and chair of the RANDOM – Association of Contemporary Photographers. Based in Budapest, Hungary. She began her photographic career at the Studio of Young Photographers Hungary, where she became a member of the executives for 2 years. She is
Fotografia umožňuje človeku vidieť veci príliš veľké, alebo príliš malé, veci rýchle premieňa na pomalé, a naopak. Otvára pohľad na javy a udalosti, ktoré z toho alebo onoho dôvodu ležia mimo naše zorné pole. Fotografovanie spochybňuje predpoklady a limity ľudského vnímania. Všadeprítomné, nenápadné súčasti ľudskej existencie tak nezostávajú bez
Vážená umelecká rada, milé dámy, vážení páni, ctení prítomní, dovoľte mi, aby som dnes predstúpil pred vás so svojou prednáškou „ROZPAKY A ROZHREŠENIA“. Tento názov, vlastne jeho prvú polovicu, som si zvolil aj preto, lebo vždy sa ma zmocnia isté rozpaky, keď mám vystúpiť pred
Vyrastala som v portrétnom ateliéri a od detstva som sledovala jednotlivé procesy pri vytváraní čiernobieleho fotografického obrazu. Tieto vnemy boli pravdepodobne natoľko silné, že zostali vo mne dodnes. Fascinuje ma fotografický portrét a vo svojej tvorbe sa venujem skúmaniu tohto žánru, jeho presahmi do iných „žánrov“ a prípadne