Issues 1/2018
Artistic journal indexed in Web of Science
scientific journal, artistic journal
-1
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She puts the world out of the world

The raw material of the photographs is a daily object on which Anne Lefebvre relies to announce worries. The motifs are composed of elements collected in the artist’s home environment. Household items, bath, glass, spoon and hand to order the whole. Anne Lefebvre deploys the

Between reconstruction and interpretation

Articles writen by three Slovak art theorists about the work of the artist and pedagogue Ladislav Čarný. Jana Geržová (study Between Reconstruction and Interpretation) is devoted to his work in the 80s and 90s - mirror objects, light ob- jects and paintings, mimicrys (cam- ouflages)

To placard Transparent

“For Decent Slovakia” gathering on March 9, 2018. One of the most interesting par excellence placard was made of a semi-transparent foil and contained the word Transparent [in slovak language also meaning “placard”]. We can approach this creation as an ironic oxymoron or redundancy of

Photography for Tomáš. Thomas‘ magnifications

In this paper, I demonstrate the transcultural dialogue which is happening on the basis of partial problems of both russian and non-russian art. This dialogue happens in a historic and a „spatial“ context, which, as a phenomenon, should correspond to the future of geocultural hyperthinking.

Civilization that will survive

The article shows the situation of the Catholic Church in today’s unit- ed socialist Vietnam. The author, a Slovak misiologist, does this on the basis of the experiment of life at the monastery of Vincentian brothers in Ho Chi Minh City as well as through

Familial nostalgia

Based on an ethnographic field research conducted in the do- mestic and public spheres of the province of Punjab (Pakistan), this paper discusses real images (the family photos) embedded in their narrative context. It contributes towards understanding the role play by photographs both in domestic

Socialist-Realistic Consistency (Companionable Summers)

This paper deals with a question of existentialism (or non-existentialism) in the novel Družné letá (Companionable Summers) written by Dominik Tatarka. The study directly refers to the monograph Dominik Tatarka in the Context of Existentialism (M. Antošová), where we focused on the significant “diapason” of