Through photography I aspire to represent the spaces where visual relationships take place: the space of the picture becomes the place where I capture the intertwined of particulars and views. Through the juxtaposition of subtleties I create meaning out of tumultuous accidents and felicitous coincidences.
A novelty stands at the beginning of everything. Maybe it’s not perfect, unsure and coy, but alas it stands at the inception of everything new. As things progress, it trades its imperfections for advantages and slowly gains its own unique form within our reality. At
This theoretical study deals with the conjencture of community media and participative culture in the context of media production. It also showcases the importance of culture per se and its place within community media. ŠKRIPCOVÁ, L.: Participative culture in community media. In European Journal of Media,
Being formerly a film student at film high school, I have always wanted to tell the stories. I was studying how to use the film language and pictures, and discovering different visual forms. If you want to tell the story by a film, you need
The main protagonist of slovak photography, Judita Csáderová, is a highly subjective author, working mainly with the imaginative and surrealistic visual language, interpreted via her very own timeless, abstract lines. Torsos and imprints of female body, surrealistic links to irrationality and to her desire to
Anton Sládek, another significant slovak photographer, who is also known for his classic black and white work, portrays theatrical actors and captures spontaneous backstage of the theater performance. The similarity of Anton Sládek´s artwork to photograps of Diane Arbus is not only visual, but also