Abstract This work, entitled Borders of Love: Trauma as Motivation to Create Art. Photography as Therapy, is defined by a set of research questions: Is it possible through an artistic experiment connected to examining the topic of love to learn to understand love better and express
Abstract Ema Lančaričová is a visual artist who mainly works with analog and instant photography. Her artistic research focuses on exploring the essence of photography by utilizing primary variables such as time, light, and space as well as their negations. Her approach is both philosophical and
Abstract The paper explores the fluidity of (photo)montage in image in the cultural contexts of the times, emphasizing the uniqueness of the medium of photography and its ability to transpose the referent as opposed to reality. The text analyses the dialectic between technical mistakes and creative
Abstract The visual capture of the world has been an integral part of the formation of ethnology and cultural anthropology since the beginning. It meant not only a source of knowledge of the local community, but especially of the time at which it was created. Sometimes
Abstract The article “Society, Design, Communication” examines the intersection of contemporary societal challenges and environmental design practices. It contextualizes these challenges within the pressing global environmental crisis, highlighting critical perspectives that caution against unchecked technological and industrial advancement often disregarding natural ecosystems. The study explores how
Abstract This article explores research into the use of meme images generated by artificial intelligence as a means of media communication in the context of students oriented to work in the cultural and creative industries sector. The aim of the primary descriptive research is to analyse
Abstract The present study deals with two prominent personalities of literary, cultural, and social life, respectively their (in their time) important works. One of them is Dominik Tatarka and his cardinal work Démon súhlasu [The Demon of Consent, in magazine form in 1956, in book form
Abstract Korean TV production has been greatly influenced by the arrival of a wave of feminism in South Korea and the subsequent wave of anti-feminism. Moreover, writers and directors have taken the opportunity to update the main male and female characters of the series. The aim