Abstract Peter Lančarič (b. 1989) works at the intersection of identity, intimacy, and public space, moving fluidly between analog photography, staged tableau, documentary, video, object, and performance. His long-term series probe how images rewrite self-narrative and relationships: REM frame treats dreams as cartographies of the unconscious;
Abstract This study examines the evolution of Slovak skateboarding photography through the lenses of everyday aesthetics, spatial performance, and subcultural capital. It explores how photography captures and co-constructs skateboarding as a creative reappropriation of urban space, with a particular focus on how the legibility of the
Abstract Reconstructing events, reviving the vital or reminding of and remembering the past are the main functions of an archive. A picture archives not only what has happened, but also, from the perspective of preserving the future, it projects historical time that struggles with timelessness. Photography
Abstract In their theoretical study, the authors of the paper address the hidden meanings of image of communication in the medium of photography. Specifically, they focus on the encoding and subsequent interpretation of images on the basis of their inner construction. At the same time, the
Fotografia umožňuje človeku vidieť veci príliš veľké, alebo príliš malé, veci rýchle premieňa na pomalé, a naopak. Otvára pohľad na javy a udalosti, ktoré z toho alebo onoho dôvodu ležia mimo naše zorné pole. Fotografovanie spochybňuje predpoklady a limity ľudského vnímania. Všadeprítomné, nenápadné súčasti ľudskej existencie tak nezostávajú bez