Scenology of the Digital Image
On the one hand the world of digital imaging is a continuously changing organism of almost unlimited creative possibilities. On the other hand, it is a very complicated environment full of technological systems and processing and production standards. The goal is to give to those never-ending flow of ideas, technological mutations and resulting artistic expressions, the theoretical system that would allow a readable and clear organization of teaching in the field of digital manipulation. At the same time, it should be a goal to lead students to independence and individuality. If their works of art also include a story with an unmistakable author‘s contribution, there is a high probability that the market will register such a work.
The following text, among others, is focused on the following thematic areas: The importance of working with color in the digital age. Methodology of teaching creative applications of digital imaging in the circle of artistic and scientific approaches and the science of color. The role and position of the photographer in the field of applied art. Examples of researched approaches in the pursuit of integral connection of opposing levels of photographic representation.
Applied Photography. Color. CMS – Color Management System. Digital Design. Digital Manipulation. Teaching Methodology.
BENEŠ, M.: Scenology of the Digital Image. In European Journal of Media, Art and Photography, 2022, Vol. 10, No. 2, pp. 58-69, ISSN 1339-4940.