Abstract American photorealism was an art movement born in the late 1960s in the USA, from where it travelled to the European continent over the following decades. Drawing inspiration from pop-art iconography, it resolutely stood in opposition to abstract expressionism, conceptualism and minimalism. Its uniqueness was
Abstract Contemporary visual advertising research is impossible without analysis of its art-historical fundamentals. The effectiveness of advertising graphics is defined as the process of communication and semantic perception of visual images. The subject of our study – graphics means in the advertisements of the XIX–XXI centuries.
Abstract In their theoretical study, the authors of the paper address the hidden meanings of image of communication in the medium of photography. Specifically, they focus on the encoding and subsequent interpretation of images on the basis of their inner construction. At the same time, the
Abstract This study examines the status of advertising posters in the context of the first half of the 20th century by comparing the art-science approach to the discourse of advertising theoreticians and executive advertising graphic designers. It draws from the literature of the time, from advertising
Abstract Adolphe Appia (1862-1928), a notable swiss theatre reformist, started his career as an admirer of Richard Wagner and his work, but was always critical of how his work was portrayed on the stage at the time. This is how he started his career as a
The article shows the situation of the Catholic Church in today’s unit- ed socialist Vietnam. The author, a Slovak misiologist, does this on the basis of the experiment of life at the monastery of Vincentian brothers in Ho Chi Minh City as well as through
Cieľom štúdie je poukázať na využívanie prvkov postmoderny a uplatňovanie postmoderných stratégií tvorby vo vybraných digitálnych hrách. Digitálne hry ako produkt postmodernej doby čerpajú z kultúrnej tradície literatúry, filmu, umenia a populárnej kultúry a uplatňovaním postmoderných stratégií tvorby (citácia, imitácia, pastiš, paródia a i.) vytvárajú
Takouto paradoxnou štvorčlenkou by sa azda u nás dala charakterizovať nová situácia umenia po roku 1989. Vzhľadom na to, čo nám bolo s väčším, alebo menším prinútením „blízke“ z jednej geopolitickej sféry - sa stalo „vzdialeným“, a iné, čo bolo „vzdialené“ (z opačnej geopolitickej sféry) sa stalo „blízkym“. Z toho však
Aktivita a činnosť Združenia fotoamatérov YMCA (KSTL) v období 30. – 40. rokov 20. storočia, nereprezentuje len tvorivý potenciál obdobia fotografickej moderny v podmienkach, v ktorých sa Slovensko po rozpade Rakúsko-uhorskej monarchie ocitlo. Z pohľadu skúmania histórie slovenskej fotografie predstavuje dôležité vývojové zmeny v štruktúrach
E’ noto che imbarcati sulle navi austriache che combatterono a Lissa nel 1866 c’erano molti marinai veneti (oltre che , istriani e dalmati; la costa istriana e Zara - Zadar erano state veneziane), ma anche soldati veneti e friulani combatterono nel 1866 nella campagna di